@ALBUM: Give By Happy Head ------------------------------------------------------------------------------ Yo Happy Head Fans! Best guesses here since the type in the lyrics is REALLY small. any corrections, or info on ANY other music this kick-ass band has done please email to duccini@backpack.com ------------------------------------------------------------------------------ @SONG: HAPPYHEAD THEME #1 (0:54) (David Barratt/Carl L. Marsh) if you want to get ahead get ahead get a happyhead now we love to fly and it shows be all that you can be we're a part of your life i love what you do for me @SONG: FABULOUS (3:10) (David Barratt/Carl L. Marsh) (eat this!) burn down the store take what you want and more shop until you drop voodoo consumer never stop load up on supplies no sale no compromise gun crazy down the mall voodoo consumer take it all (eat this! drink this! try this! charge it!) it's fabulous step right up and take it it's fabulous if you can't afford it fake it be deviously dangerous ridiculously cool let's make it fabulous fabulous fabulous fabulous drive me to the bank kneel down and give me thanks grab your credit card voodoo consumer kiss me hard take it all too far sell the company car a bargain but too late voodoo consumer terminate eat this drink this drive this buy this wear this fly this play this charge it be deviously dangerous ridiculously marvelous meticulously treacherous de sade-uously cruel just make it fabulous fabulous fabulous fabulous @SONG: DIGITAL LOVE THING (3:00) (David Barratt/Carl L. Marsh) turn to the sky like a big receiver the hills are alive but they won't deceive ya tuned to the wave of the false and the factual tellin' everybody 'bout the supernatural nature says end it final going down on a dna spiral hungry little heartbreaker looking for a headline wanna deal? here's a deadline more than a matter of pure geometry a whole damn catalogue of lies and infamy a pay cheque a home wrecker double martini hail ceasar get houdini take what you want to get what you need more than you had at twice the speed in cold precision in terror and art a bullet and a ballet are a vowel apart hey digital get critical yo digital love thing go hey digital get critical information overload digital love thing i can't believe it i wanna make this mystery mine you're part of history stand up and seize it digital love thing shine in real time here comes happyhead mouth in motion you do the right thing you do the locomotion then you wonder why the caged bird sings it's a lust for life or a chemical thing free will's the thrill now so choose it use your vote before you lose it evolution revolution hedonism i sing anybody got a body give the boy a love thing @SONG: ATOMIC CANDY (Carl L. Marsh) plough up a field of money scatter your seed mind over matter? well it matters to me candy riding an ark political sparkle cast the first stone you'll be making a mark indeed there goes caution to the wind again so get in hitch-hike it to the edge of beyond and get gone at the limit of the evening shade i raise a glass to you candy i think you've got it made if you thing the future lies in tomorrow's troubled eyes you're wrong candy it lies with me atomic candy...turn out all the lights and let me see atomic candy...incandescent flame of liberty atomic candy...i'll take one bite out of you if you unwrap me high on the stuff of legend scoring the dream richer for poorer you can pour it all over me catching a wave imaginary saviour take the next turn candy there'll be some days indeed if you feel the future near hiding paralysed with fear it's ok candy you're here with me atomic candy atomic candy oh if you thing the future waits through somebody's pearly gates hold on candy and wait for me @SONG: HURT, DIRT AND DESIRE (5:40) (Carl L. Marsh) it's are rare rare man who won't tamper with perfection his desire a rare woman put natural selection in his hands and he knows it she's braced her life to his and his alone and it throws him drawn in and wrapped around so very tight there's nothing he can compare to nothing he's know before standing on a moving floor he feels he's right to believe but he don't want to be hurt hurt, dirt, desire then who does that's nothing special hurt, dirt, desire he'll get down and kiss the dirt dirt, hurt, desire for this luxury of life he'll call hurt, dirt and desire she's having strange strange times she feels herself in motion and she rides strange magic spells and pills and potions say "be mine" she hears them he's giving her so much and much too soon and she fears him even as it fills her every nigh she knows just what is happening now every day brings more shaking a loose trap door for what she will receive she say please I... willful and afraid they keep it under cover willful and afraid they keep it under cover don't want to leave a legacy lost and gone forever don't want to leave a legacy lost and gone forever feel the heavy heartbeat next to one another feel the heavy heartbeat next to one another strip away the secrecy celebrate the lovers strip away the secrecy celebrate the lovers they hold it and believe it but they... @SONG: A WAVE THAT BREAKS FOREVER (3:19) (Carl L. Marsh) dive down deeper than this wide-eyed a wintergreen bliss-out cool solid next to freezing wild words that have no meaning such a deep love such a strong kiss such a deep love such a strong kiss never in love is there a wrong kiss it's such a deep love there's a wave and it breaks forever you know woman deep and it's man deep there's a wave and it breaks much harder than this like the sea when the world's asleep there's a wave and it breaks forever you know legal city no redress wide-screen built to impress you get down stoop to conquer burn the phoenix and raise the songbird now i got it i'm gonna keep it work it up into a state secret clean high next to heaven some sins are god-given. @SONG: I FALL AWAKE (Carl L. Marsh/Chad Swahnberg) action time the bottom line precautionary sadness a silence in the courtroom all objections overruled for something pure something reasonable we should all stand up and shout home is where the heart is but the heart is moving out there's never been a finer line through sanity and madness i want over-achievement under-estimation gets you down i fall awake now now i fall awake i don't dream that hard blink and double-take i fall awake i fall awake now now i fall awake i fall awake now now i fall awake election time selection mine discretionary process natural or contractual the vote goes either way for a cure that is feasible we should all go back to school make everybody stand in line to be nobody's fool there's never been a better time to trust in mass hypnosis go falling through my summer-blue atmosphere all promises true possibilities loud and clear in a world that's changing speed all you really need is to fall awake @SONG: HARMONY (Bill Clift/Carl L. Marsh/Tyrrell) peace love harmony i got to get me some of this i don't think it's much to ask one out of three so let it grow let it ripen let the sun shine down on me money can't buy you peace and love but it can buy harmony listen: harmony harmony harmony harmony @SONG: GET OUT THE CAB, BABE (4:28) (David Barratt/Carl L. Marsh) live on the shelf life on the corner deal with the real world cease and desist don't cut it up girl i see you in the morning a tender apparition coming out of the mist you're on a chain gang working in limbo every little motion tied to a risk well you wanna be a lover maybe undercover baby gimme information and i'll save it to disc i don't want to wait don't want to see the light fade out the cab babe get ou the cab if you think the universe was made to drive you mad get out the cab babe get out the cab high on the hog high wire humming race with a spaceman planet and stars it's only love girl i think i hear it coming sing hallelujah while i'm crashing the car you're insane man talking in a strange tongue too much emotion nothing to lose swimming in the wishing well do a kiss and tell gimme satisfaction 'cause i'm getting the blues @SONG: Love Kills (Carl L. Marsh) my baby works like a miner do she treats my body like a mountain range some people say gotta look out for her some people tell me that my baby's strange love kills love kills my baby stands like an oil rig stands she drills as deep as the ocean floor some people say enough's enough but my baby she just drills some more love kills my baby love kills my baby love kills my baby and me my baby turns as the planet turns she rolls the world from day to day some people say the earth could move but i know that's just my baby's way @SONG: SPACETOWN (4:53) (David Barratt/Bill Clift/Carl L. Marsh) anybody ever had a dream wouldn't wake up and lose it over me anybody ever stole a scene wouldn't need to if the could only be strangely serene facing the shakedown nobody ever ran the race and came out the same as they went in nobody in a sacred place need leave it if they could only bring some sense of grace for time to lay down hold this terrifying love a charm against the cold do this and think of me and let the world unfold spaced out in spacetown i know you've been shaping up for the shakedown so let me in we live and learn or crash and burn this is spacetown we're living in spacetown everybody in the neighbourhood wouldn't move on if they could only see everybody for the common good shout something apart from look at me just watch the screen when the mirror breaks down you with all that you could own are trying to be true and wait so patiently for a bolt from out the blue show me something i can use a stone that i can throw or shall i turn away and fall into the flow @SONG: BACK OF MY CAB (1:39) (Carl L. Marsh) kevin the coma he was a smart one but even so there were things he didn't understand peter the powerdrain he's been around again looks kind of sickly from breathing the fumes maybe on second thoughts he doesn't understand too kevin and peter peter and paul matthew mark luke and john i've had 'em all in the back of my cab there's room for everybody i've had 'em all in the back of my cab @SONG: BABY USA (4:21) (Carl L. Marsh/David Barratt) a tiny piece of america nearly blew my apart driving on the wrong side of my english heart i found myself caught in mid-stream i had a dream of a brand-new start phone lines lie across the atlantic i guess it's time to fly trans-romantic are you lonesome baby usa? i heard you cry 3,000 miles away go west young man you said and i was on my way don't shoot-i love you baby usa once upon a time my world was an open book the pages turned but i stayed put now like a pilgrim on plymouth sound i'm america bound hand and foot that's the pull of love's defection a continental drift in my direction a yellow cab from here to eternity a fifty-floor building points to all things heavenly down the roots of high anxiety there's just another story from the naked city don't shoot-i love you baby usa don't shoot-i love you baby usa don't shoot-i love you baby usa don't shoot-i love you baby usa @SONG: FAT CITY (4:36) (Bryn Burrows/Bill Clift) we're going to fat city we're gonna hit town we're going to fat city...fat city hard rain washed away sweet love like a bird of prey mixed emotions overgrown psychedelic to the bone it's a fact that your back's against the wall when you show your face but never get yourself caught between a rock and a hard place pump me up let me down beef and blood underground snap the whip crack the code paranoia overload you got to get yourself a card with an i.d. for the human race but never get yourself caught between a rock and a hard place break the ice on your knees poison pen spread disease rags and bones feed the bear shut your mouth i don't care @SONG: SHINING PATH (3:09) (Bill Clift/Carl L. Marsh) you say how high the moon is my pride bought with a kiss so soon under your motion my world ceased to exist if you want to know here is my confession i was a man in the grip of obsession now you ought to know i made a big decision more that a man i'm a man with a mission here it is my shining path pale fire your one desire come true cool thrill a wish fulfilled take a trip from your head to your heart on the shining path you'll know when this is over one sign will say believe just when you're so uncertain you'll ask and you'll receive now is when you show a gesture of contrition this kind of love is the modern condition this could be a blow to my way of thinking pride rising as the moon is sinking @SONG: LET'S GO SEE MR. HYDE (4:30) (Carl L. Marsh) a love-light shallow glow stop and stare the human rodeo effervescent so sublime in time pull up our roots together beneath the brittle stars you and me the light from a neon bar focus the microscope there's hope but it could all come down tomorrow and if it does come and if it does come where will you be? will you be with me? where's the evidence- circumstantial been through it time and time again i don't wanna be on a corner hanging out with all god's lonely men why keep it all uptight? why keep it deep inside? maybe you and me share a chemistry let's go see Mr. Hyde let's go see Mr. Hyde downstream white-water ride deep and low the current of our pride break-neck high-speed what we need to both cut loose together and you should know and you should know i want you here with me first thing i see getting heavily elemental recycled i'll come 'round again immobility begs a question: does gravity mean to be my friend? is there an end in sight beyond our time and tide maybe you and me could solve a mystery let's go see Mr. Hyde let's go see Mr. Hyde and if it does come and if it does come where will you be? will you be with me? for the last time for the last time I want you every day no more to say @SONG: HAPPYHEAD THEME #2 (3:17) (David Barratt/Richard Bartie/Carl L. Marsh) i'm kylie brush got a happy head it goes together with my happy heart babe said a happy head goes together with my happy heart when i hear you name and i feel the flame of our lovelight as it begins to burn and we teach each other a good love lesson that we're always oh so glad to learn in our happy heads going together with out happy hearts said my happy head goin' together with my happy heart from the tip of my toes to the top of my spine all over my body and in and out of my mind you fill me up with thoughts of love and loving you is all i'm thinking of in my happy head so good to have you in my happy head all the time loving you yeah loving you baby said i'm guilty of a crime time after time after time ...how important can you get?